8.06.2009
Concert review: American Idol in Baltimore
The general news roundup
5.20.2009
Finale!
It's finale time! After a brief padding session wherein the judges' catchphrases are shown ("For me...", "Sweetie..." a large vocabulary, and "What? I can't hear you") Kris and Adam walk down the stairs, dressed all in white. It is not a good look for either one. Their microphones are not really turned on. It is not a good sound for either one.
The top 13 are singing "So What" by Pink... and Allison better have the lead, because she can sing Pink like no one else in this competition. It's a weak performance overall, livened up by Adam's dancing, Kris's white fedora, and the second half of the song, where Allison karate-kicks. As most big group performances are, mediocre. Let me just say, though, that this is not an easy song to sing well; it lends itself to bad karaeoke. Try it, you'll see.
David Cook is singing "Permanent" live. This is a song he wrote for his brother Adam, who recently passed away. I forgot how magnetizing David is a live performer, even though his voice is shaky (he is about to cry.) Proceeds from the iTunes purchase of this performance will be donated to brain cancer research. Not even I am enough of a tool to not buy this song, and it will not be wasted money; this is a raw, stripped down, emotional performance. David is on the verge of tears most of the way through. This is what we call grace under pressure. Well done, David.
The "Golden Idol" awards are now being presented. What the hell is this? Oh, I see. It's a way to mock contestants who can't sing. Classy, Idol. Real classy. I'm sorry, this is ridiculous. You've already mocked them once, Idol, just let it be. The "Outstanding Male" award is presented to Nick Mitchell, aka Norman Gentle, aka the whacko who got a spot in the top 36 over deserving contestants like Emily Wynne-Hughes ("Barracuda Girl") and yes, Michael Castro. He gets up to sing "And I Am Telling You I'm Not Going." I would rather hear another group number. I would rather hear Scott and Lil Rounds sing a duet.
Speaking of Lil Rounds! She is dueting with Queen Latifah singing "Cue The Rain." This performance is everything that Lil does well, belting out notes rather than striving to hit high. I don't know what the lyrics to this song are because Lil can't enunciate to save her life, but she's well matched with Queen Latifah, who is able to cover for everything Lil can't do (demonstrate any sort of subtlety.) For the record, I love Queen Latifah and I think she is gorgeous and multi-talented and that she possesses a great voice. Both of these women know how to dress. The last few words of the song, with no musical accompaniment, are excellent.
Oh my gosh, Anoop and Alexis Grace are performing "I'm Yours" with Jason Mraz, and all three of them sound top notch. Remind me why Alexis was eliminated again? OK, so Noop Dawg and Alexis are mostly backup for Jason, but the harmony is great and I really hope this song is available for download.
Kris Allen is performing his duet first, which some people say means he is the winner. We'll see how that works out. In any case, he's singing "Kiss A Girl" with Keith Urban. Kris's high notes have never been his best, but he is nailing them tonight, a little weak but completely respectable. He and Keith just have this little jam session going on, and they both look like they're enjoying themselves. Kris looks like he thinks this whole experience is just peachy. He and Keith hug at the end. Aww.
Now the girls are onstage, singing "Glamorous" by Fergie (because this is such a singer's song.) Allison Iraheta announces Fergie, who really sounds much better on the radio. Then the Black Eyed Peas come on, and Megan Joy is dancing in the aisle. I seem to remember the BEP producing a song that I really liked at the very beginning of their career on MTV--"Where Is The Love." Since then, they have deteriorated. Three Grammies? Good grief.
Back to the Golden Idols. This one is for people who demonstrate composure. Bikini Girl wins it. Hands up if you didn't see that one coming. She walks on stage in a bikini, because she has just as much class as the Idol producers. She kisses Ryan again ("And he kissed back this time!") I'm sorry. This trainwreck needs to be over. I refuse to speak of it any longer. I actually walked out... then Kara walks onstage and sings with Katrina. Katrina looks thrilled... not. Kara sounds fantastic. Oh my god. Kara is wearing a bikini as well. They have no shame.
Danny Gokey is singing "Hello" by Lionel Ritchie. I'm sorry, but I'm going to compare this to David Cook... and actually, it's not bad. In the last three weeks, Danny's learned some subtlety and phrasing. If we'd known this would happen we should have voted him off earlier. Then Lionel Ritchie comes in and the two duet. I don't know what they're singing, but it's pretty forgettable until they segue into "All Night Long." Paula gets on her feet, "raises the roof and has some fun." Danny sounds really, really good, but he still can't dance. All right, I can't either. The two climb on the back of the judges' booth (did David Cook invent this move or do I just associate it with him?) Danny should not stand on the back of the judges' booth because he produces bad notes there.
Ryan comments that it felt like New Year's Eve with the ball dropping with Adam and KISS. Santana takes the stage, playing "Black Magic Woman." This is one of my favorite guitar pieces ever. I've always wanted to hear it live. Holy mackerel, that's Matt Giraud singing while Santana plays guitar, I have no words... except that he sounds good. They segue into "Smooth" and the entire Top 13 come onstage. Adam, Jorge, Danny, and Kris all have solos. OK, I voted for him, but I see why Jorge was voted off now. This is a much stronger performance than "So What," probably because the voices singing it are better suited to the song. And also, it's really hard to sound bad when you are singing along to Santana.
David Cook presents Ford cars to Kris and Adam. Adam says "It's beautiful!" Kris says, "Dude, I needed a new car so bad."
Steve Martin, what the hell, is playing the banjo. WHAT THE HELL? Megan Joy and Michael Sarver are singing with him. Excuse me while I go check and make sure I'm not on LSD. Michael sounds good. He's the only part about this that sounds good. This song is awful, and also, it's out of Megan's range.
Another group song, this one boys only, singing "Do Ya Think I'm Sexy." I'd like to send out a message to half the guys up here: "I do not want your body, I do not think you're sexy." A weak performance. Rod himself comes onstage to save us (or blind us with a wretched jacket, I'm not sure) with "Maggie Mae." This guy still has pipes, even after all those years; a little weaker, but still true and distinct. He tries to get the audience to clap along, but it sounds like he's not getting them engaged. A woman in the audience in a sparkly dress plays air guitar.
The final Golden Idol is for "Outstanding Female," and we all know it's going to be Tatiana Del Toro. I wonder if she'll be less annoying the second time around. We get replays of all of the annoying, attention seeking things she has done all season. Yep, she is just as annoying as she makes a break for the stage, steals the mic from Ryan, and proceeds to sing while he says he needs to cut for commercial. Staged--but still annoying.
AND THE WINNER IS…
KRIS ALLEN!
5.19.2009
Finale!
5.13.2009
5.12.2009
Top 3
We're down to the meat of the show now. The contestants are singing twice this week, one song picked by the judges and the other song by the contestants. This gives all of them a chance to show off what they see themselves doing as singers.
Danny Gokey is first singing “Dance, Little Sister,” selected for him by Paula because she believes he has a “magical quality” to his voice that will help him pull it off. He certainly starts off strong, looking more comfortable on stage than I’ve seen him before, working the stage. This is a big song for him, and he gets a bit shouty in the verses and dials it down in the chorus, which is an interesting choice. It’s a solid performance, a good way to start the show off, an enjoyable performance if not spectacular.
Kris Allen will be singing "Apologize" by OneRepublic, chosen by Kara and Randy. This is a very interesting song choice for him, and I find it unusual that it was selected considering who sang it last year (Archuleta, if you were wondering.) Kris starts off on the piano, singing piano as well and a little slower. Everything about this song is low key except his voice. Although he can't hold volume and high pitch at the same time and has to go softer, he is pitch-perfect. He sounds like he has emotionally connected to this song, and every segment gets stronger. The second chorus, he completely foregoes the high notes, and powers through. That was very, very good.
Side-note: Kara thought that Kris ought to have changed up the song. Simon, appropriately, calls her on that shit, saying that if Kara [and Randy] have chosen a song for someone they have no right to complain when the contestant doesn't interpret it and spin it away from the original, because they said "Here's a song to sing that would suit you," not "here's a song that would suit you if you mixed it up." I completely agree. I think that the subtle alterations that Kris made to the song were enough, and that he would not have gained by any real changes since the song was arranged nicely for his voice to start with.
Adam Lambert is singing "One" by U2, chosen by Simon. I've been gunning for Adam to sing U2 since the beginning. Adam starts off slow, in blue light, soft and tender, and does his Adam thing. It's a beautiful thing. Then he does something we haven't really seen him do yet, and mix it up and amp it up in the same song. In the chorus, Adam steps it up, grabs the band, and kicks it. His voice powers up, he screams out one note, and then he's back down. I did not like his use of the background singers--the man can sing on his own--and did think that the blue light was a little bit indulgent, to use Simon's word. Overall, though, this song takes balls to take on, and Adam has them. Paula's calling him the winner right now. Simon calls it a "brilliant song choice" and a brilliant performance. Only one question: how is Adam going to top this? And poor Kris and Danny having to follow that.
For himself, Danny chooses to sing "You Are So Beautiful", and yours truly would like to point out that the arrangement of contestants tonight is not counterbalanced and unfairly biased against Danny. Still, this absolutely abysmal, cloying, sickly sweet song choice certainly isn't what I would have wanted to finish tonight. Danny is singing at the top of his range, which is not his best; he does better belting, as he did earlier tonight, and as he does in the latter 45 seconds or so of the song. The first half was not so good, the second half was all right. I really like what he did in terms of arrangement, and his vocals were very good in the second half. A B+ performance: passing, certainly an achievement, but nothing to jump up and down and scream from the rooftops about.
Kris Allen is singing "Heartless" by Kanye West, which could either be a great choice or a trainwreck. He starts off alone, a capella, and then brings a guitar in for what promises to be a vintage Kris performance, a Jason Mraz-y, Howie Day vibe. He's having a lot of fun with this song, to judge from the grin on his face, singing it rather than rapping it. This is not a great song choice but it is a lot of fun and I'd buy his CD based off of that single. I think actually that Kris is making a good choice by choosing not to compete with the sheer vocal ability of Danny and Adam, and instead doing--I'm stealing a Paula word--something relevant and current. Two thumbs up.
Adam chose “Cryin’” by Aerosmith for tonight. He’s back to his rock roots (if you can call them his roots) and just breaking it down, working up a little high where he’s comfortable. One of the background singers is trying to sing harmony with him and is three counties away from the pitch, and that is making him sound off in turn. Adam is having fun with this, getting a little over the top (especially when he out and out screams the last note.) Not as good as his first performance tonight, but Randy is right that Adam is a rock star. (Adam needs to be the front man of a band, but unfortunately, those bands tend to form entire, and they don’t send out “Lead Singer Wanted” ads.) Simon, bless him, points out that people need to continue to vote for him no matter how well he did.
You know what? Tonight, this could be anyone’s game. I think that Adam is going to be winning the overall contest, but it could legitimately be either Danny or Kris with him. I hope it is Kris, because Kris has shown more overall versatility and originality, and he is also more my “type” of artist—acoustic, a little bit indie, with a singer-songwriter kind of vibe. Danny could be the safest choice, though, because he can sing vanilla pop ballads better than Kris, and therefore be more radio friendly.
5.06.2009
Top 4: Results
5.05.2009
Top 4: Rock Week
We’re gonna rock and roll all night on American Idol!
Slash says, “I never thought of myself as a mentor on American Idol,” and I don’t know that I thought so either. Slash is a guitarist, not a singer. On the other hand, his contribution to rock music is undeniable, and he knows how to rock.
Adam Lambert is singing “Whole Lotta Love” by Led Zeppelin. Tonight Turn up the Volume! comes to you from a couch with several girls, and their comments on Adam do not bear repeating, but let’s say there was lamentation for his sexual preferences as he came up onstage! Adam looks like a rocker tonight, and I don’t know what that note is that came out of his mouth, but it is amazing. I am continually in awe at the range he can produce, and the gymnastics he can do with his voice. It’s a little over the top, but he’s allowed to be over the top, this is freaking rock week. Adam is consistently on pitch, and he is on stage to rock the house tonight! Randy is right: Adam is a rock star waiting to happen!
Simon said, “The problem is, nobody can touch that now.” Um, guys—don’t put Adam in the front if you want everyone else to look bad.
Allison Iraheta is singing Janis Joplin’s “Crybaby.” Slash is right that Allison is predisposed to sing Janis. Allison has a great voice that’s capable of some gravel and she has one hell of a range. Next to Adam, this doesn’t look like a rock concert, but here’s the thing. Allison has the subtlety to really put her inflection on this song. She doesn’t have the professionalism that Adam has, but she is a diamond in the rough. This song didn’t let her show off all that she can do, but it is a really solid performance that will help her out. Simon, however, is right that "Somebody To Love" by Jefferson Airplane would have been a better choice. But PS--her hair is amazing.
Kris and Danny are singing the Stix, which is actually surprisingly good. I was worried that Danny's sheer capability for volume would overwhelm Kris, and it does a little bit, but Kris is really holding up for himself. He's an unlikely rock star, but look at him lift that mic and headbang! Danny is powering through, while Kris is clearly at the top of his range, but there is not a bad note in there and they're both having a lot of fun. Not a great performance, but Kara and Randy are right that the sum of the parts were greater than either separate and that they complemented each other. I'd go see their show!
Kris Allen is singing the Beatles tonight, which is a perfect choice (even if I was hoping for "The Man Who Sold The World" by David Bowie.) Unfortunately, he is singing "Come Together," which could either be good or a trainwreck. The guitar is a good choice, it gives him more rock star cred. I like his decision to really go for these notes, even though you can tell he doesn't have the power. Unfortunately, although this is a good execution, he is paling in comparison to everything that we just heard, and I suspect he will pale against Danny as well. Now, I say that, and he cranks the volume and the power up for the last 30 seconds and amps it up. Ultimately, Kris is not a rocker, but he damn well bloody tried, and I thought that he did the best he could for tonight.
Danny Gokey is singing "Dream On" by Aerosmith. Now, this could be good or bad for him. Michael Johns nailed this song last year, and if Danny gets compared to him, that's really bad for Danny. If people forget about Michael, or compare Danny to the song instead of to past performance, it could be either good or bad, depending on how well he does. Ultimately I don't think that Danny has the falsetto to kill this song (although he might kill it dead in the water,) and that he'll just power through, but we'll see what he does. He certainly doesn't start off inspiringly, he sounds karaeoke here, and the "everybody's gone" line is just a joke. The chorus is better, but still, Danny sounds like he's playing Rock Band and he doesn't know the words so he's just going through the motions. That scream killed my ears. This was not a good performance.
Adam and Allison are singing "Slow Ride" by Foghat, which is a great choice for both of them because they can KILL it. I love that they're splitting the lines. This sounds like a fuckin' rock concert, guys, the two of them playing off each other and having a blast doing it. They sound great all the way through, whether backed by the guitar or just the drums. I wouldn't have picked ending it like that, but these two have some serious on-stage chemistry and that little leap-hug at the end was adorable. ROCK ON GUYS!
4.29.2009
Top 5: Results
4.28.2009
Top 5: Rat Pack Week
I admit: I am not old enough to know the Rat Pack. So the videotaped history lesson would have been really helpful to me. I’m not entirely sure what Jaime Foxx has to do with them, but he has certainly been a successful artist.
Kris Allen is in the bitch spot tonight, but if Jaime Foxx is right about his performance of “The Way You Look Tonight,” it won’t matter. A smooth song even with the jazz kicking in after the first verse, this song is not a vocal stretch for Kris, but he nails every note, powering his voice up and then settling back down. The last note was beautiful. I’m not sure how I feel about the arrangement—having the jazz kick in and the tempo upswing for about 30 seconds made the song feel rushed in place. But it was a very solid, quality performance, technically outstanding. Simon is right that Kris’s low-key style is likely to not win him this competition, but I think he will be a successful recording artist—especially if Jaime is willing to do an album with him, as he mentioned.
Allison Iraheta, based on her appearance in the bottom 3 last week, needed the pimp spot most this week. Instead she is up second. Granted, at this point in the competition the bottom 3 represents more than half of the competition, but I am still worried. She is singing “Someone To Watch Over Me.” Allison has clearly taken Jamie’s advice to heart because she is singing the hell out of this song, with a lot of emotion behind her lyrics. I would have loved to hear her use her upper range better; she powered through a lot of notes rather than lifting the note high. Still, I don’t think anyone will have a problem voting her up high this week! Allison has some real strengths in this competition: she can mix up a song to suit herself, she has a great, versatile voice, and she has excellent showmanship. Now, Allison fans—GET OFF YOUR BUTTS AND VOTE!
Matt Giraud, who is hopefully not the underdog this week, is smack in the middle of the pack. This is a great week for him because, as he mentions, he is a jazzy type of artist. He is singing “My Funny Valentine” tonight, and with any luck he’ll mix it up a bit. I loved Jaime’s suggestion of raising the pitch a bit, but as he starts singing, I don’t think Matt has listened—and as I hear him miss one of his high notes, I think we know why he didn’t. Matt has some really good moments, but the problem is that he also has some really BAD moments, and ultimately it was mediocre. I do not know what Simon is smoking tonight, but I do not agree with him; I thought Matt’s performance was miles BELOW Kris’s and Allison’s.
Danny Gokey is going next. Simon has predicted that Danny will be in the top two with Adam… let’s see. Danny is not, admittedly, going to change up “Come Rain or Come Shine.” Who is surprised? Danny doesn’t change up anything. Vocally, of course, this is a quality performance, because Danny’s vocals are great. Still, up until he kicked in about 30 seconds from the end, this was Karaeoke Gokey at his best. The last 30 seconds redeemed the boringness of the song, but Danny does need to step it up. Yes, he is vocally great, but if he ends up in the top 2 against Adam, I will enjoy seeing him get killed by someone that knows how to mix up a song and make it original and contemporary.
Adam Lambert is up next to wipe away all my memories of Karaeoke Gokey. Adam is singing the Muse cover of “Feeling Good,” and this is going to be awesome. He adds a jazzy tone to it, but every note is perfect. What is that last note? How long did he hold it? This is a sexy, powerful, wicked cool performance, excellent showmanship, excellent vocals, excuse me while I go vote on both his numbers.
Top performances of the night
1. Adam Lambert
2. Allison Iraheta
3. Kris Allen
4. Danny Gokey
5. Matt Giraud
4.22.2009
Bride of Top 7: Results
Bride of Top 7 Week: DialIdol Predicts
4.21.2009
Bride of Top 7: Disco Week
Lil Rounds, “I’m Every Woman.” Oh, Lil. Lil, I am so disappointed in your song choice. The arrangement was out of control and completely unoriginal. Her voice sounded good, but not really that good enough. And yet again, she interrupts the judges and cuts Simon off. Last stop for Lil.
Kris Allen, “She Works Hard for the Money.” I’m going to quote Simon here—“it was like coming out of karaeoke hell into a breath of fresh air.” He said that about David Cook last year and the comparison is apt. Kris Allen did exactly what he needed to do this week. The man could not sing any disco song as it was written, so he mixed it up and made it his own. An excellent performance.
Danny Gokey, “September.” His voice sounds off—is he sick? It’s rough around the edges. The arrangement is good, making an otherwise “ehh” song choice into a good way for him to show off his vocals, and I think he MUST be sick because he would be killing this otherwise but today he sounds strained. Someone has also given him dancing lessons, because this is much better than the last time he tried to bust a move. I’m going to forgive him for the roughness of his voice this week because it is an aberration for him. It was not his best performance and I think he will end up in the middle of the pack this week, but he will stay in. Simon does not think that he demonstrated "star power" tonight, and he's right--tonight Danny was just a kid having fun. He seems to be getting complacent.
Allison Iraheta, “Hot Stuff.” Oh my gosh—sitting up there on the steps, that is no 16-year-old girl, that’s a bombshell. Allison stands up to sing and she’s killer on stage too, rocking up a disco song. Randy and Kara didn't like the arrangement, but I liked the slightly slowed-down, guitared-up sound. Simon practically grins as he calls her "brilliant." Allison Iraheta is HOT STUFF BABY TONIGHT!
Adam Lambert, “If I Can’t Have You.” Yet again Adam is taking a song and turning it on its head. This song’s lyrics become much more poignant when slowed down like this. Adam is again hitting notes unknown to men (and to me, too) although the big “you” in the middle got screamy. Still, he shows off excellent control by coming down off of the scream and smoothing straight up to a soft high note. Not his best performance (will anything ever top “Mad World”?) but very, very good.
Matt Giraud, “Stayin’ Alive.” Matt, no. No no no. WHOA WHOA WHOA. I did not expect this kind of amazing to come out of Matt this week, but he has learned something from last week, dialed up the awesome, and come out on pitch and just generally being GOOD. There wasn’t much in the way of an altered arrangement, so it wasn't terribly original (as Simon points out,) but he sung it very well and took some risks with the high notes. Paula made a great analogy: “You sing like I bowl. Sometimes you throw gutterballs and sometimes you throw strikes.” Tonight it was a strike.
Anoop Desai, “Dim All The Lights“. DaNoop is getting the pimp spot. Will it be enough to save him? (One thing is for certain, that moustache is doing him no favors.) What is this, Noop? Vocally weak in places, going nowhere, and completely lacks the OOMPH that preceding performances (Kris, Allison, Adam… even Lil!) had. And he went flat on the last note. Sorry Noop. Peace Dawg.
Bottom 3:
Danny
Lil
Anoop
Boogie niiiiights, o-o-ohhhhh...
4.15.2009
Top 7: Results
4.14.2009
Top 7: Songs from the Cinema
Allison Iraheta, “I Don’t Want To Miss A Thing.” This is a great choice for her because it synthesizes what we heard last week, her emotionality, with the rocker belting we know she can do. David Cook sang this last year, and her arrangement is different enough not to draw comparison. Allison’s stage presence is awesome, and her vocals are right on, but it feels subdued. It is a very good performance, but I am worried that she will be upstaged later. Simon’s critique of her will certainly help her voters get off their butts, though—he says she is “the best hope for the girls” and thought she could be the winner.
Anoop Desai, “Everything I Do (I Do For You).” I was a little afraid of him doing this song. It fits his style, and it’s not that it’s a bad song, but it’s very similar to what Scott did, and with Noop’s smooth, soulful style, it comes out sounding… not effeminate, but he isn’t connecting with the song, and his tonality doesn’t match the original. It came out sounding like a break-up song, reaching out to someone walking away, rather than singing to a lover. That’s not a bad thing, but in comparison to the original, it might sound like he’s going through the motions. Vocally, a very good performance.
Adam Lambert, “Born to be Wild.” Quentin has one thing right—you never know what Adam is going to do until he does it. He’s working the crowd, dancing and singing like he means it. The chorus gets a tad shouty, but that dooes fit the song. What I love most about Adam is that he can go from shouting to hitting insanely high notes, and then at the end of the song, he shouts those high notes. This may not be a performance that will appeal to Simon (edit: Simon says that parts of it were “like watching Rocky Horror” and he’s got a point; Adam does have a predilection for getting over the top) but it was pure rock concert.
Matt Giraud, “Have You Ever Really Loved A Woman.” This is a song that will be great with his slightly gravelly voice and his piano. The beginning sounded like background music at a small, intimate restaurant (the kind that played when you went out to dinner on your anniversary) but the second half really built up, both in emotion and in energy. Quentin was right: to me it is one of his top 3 performances. Randy and Kara, however, think that it fell flat, especially over the bridge. Matt’s problem is that he is inconsistent from week to week, but on the other hand, I absolutely do not agree with the amount of kicking-in-the-balls that the judges are giving him tonight.
Danny Gokey, “Endless Love.” Danny has gone out and bought a guitar and intends to learn to play it. Hmm. This is going to be a very emotional song for him… in fact, he starts out looking on the verge of tears. The softness and restrained emotionality in his voice is touching—he’s very clearly holding in a lot of feeling at the same time he’s holding every note perfect. It was sung beautifully, but he did not change it up and add originality—which Simon pointed out, using David Cook’s version of a Lionel Ritchie song as an example.
Kris Allen, “Slowly.” I’m not familiar with this song, and after hearing Kris sing it, I don’t want to be familiar with the original—I am fine with this version. His voice makes it seem deceptively simple, but he is employing a lot of vocal control—it is not easy to sing such a quiet, precise, beautiful song. Randy said it never quite “caught on” for him, but to me, it didn’t need to catch on anywhere, because it was right there the whole time. I agree with Kara that it is one of his best performances. It might just be his best.
Lil Rounds, “The Rose.” This is the sort of choice I have been wanting Lil to make for awhile—something that is not all belting. She starts off, in my mind, a little too vocally strong, but that makes for a very smooth segue into her more gospel-like chorus. This is a fun arrangement, although to me it takes the focus away from the lyrical power and the poetry of the song and puts it on her voice—which is OK for this competition, I’m just saying. A beautiful shift back down to the smoother, less dramatic ending, and a great last note. Lil’s best performance yet. Unfortunately, her back-talk to the judges will do her absolutely no favors, making her sound rude and defiant.
Top 3:
Kris, best of the week!
Adam
Allison
Keep in mind that at this point in the competition, the bottom 3 reflects about half of the contestants. I predict that the judges’ save will be used tomorrow night if any of these singers go home.
Lil
Anoop
Matt
